ทีมบาสวอร์ริเออร์ส

Magic Mike XXL coasted on the charm of the original, with a different director. But along with Reid Carolin, who wrote all three instalments, Soderbergh returns to direct Last Dance. His usual crisp style and pace only occasionally emerge here. There are uncharacteristically flabby touches, including a montage of dancers auditioning intercut with shots of Maxandra and Mike scouting street performers and looking like they're in some clichéd London travel show. When Mike leads his rehearsals, Soderbergh's camera swirls around a lap dance in a visceral, cinematic way. When we see the final live show, though, we have no sense of why it might be dynamic on a stage.